- #Midi to artnet converter full
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Together this creates a dynamic show that delivers a unique story to the audience. A video rig running Modul8 sends the video output to a projector that makes post-apocalyptic cityscapes and spaceship control center backdrops come alive. Some of these cues are built into the structure of each song, others are triggered from the guitars and drums.
#Midi to artnet converter code
We’re sending song unique SMPTE time code from the Ableton rigs to control all lighting and video cues. There are also a lot of moving pieces to the visual show. All embedded RGB LEDs are individually addressable & controlled by the lighting team on their console via wireless DMX. Although they are insanely heavy (something we are working to give us more flexibility and energy on stage) they have on-board power, under-suits that circulate cold water, helmet microphones, and in-ear monitors. We had to actually split our 75 minute set in to two separate projects as Ableton could not handle having an entire sets worth of individual samplers/drum racks for each bass sample/drum hit. All drums parts & bass samples are played live, in Ableton samplers and drum racks. Our two redundant Ableton playback systems take MIDI-In (via MIDI Solutions Thrus & Merges) from the Midi Guitars, KJ’s Roland V Drums, and from a pair of Roland FC300 footswitches that Jeff & Sean use to control effects, mapping changes etc. This included on-the-fly mapping changes, a multiple output port routing system, pathways for the appropriate LED feedback, and MIDI to Artnet conversion to send commands through to the lighting console (for CO2 blasts & helmet and arm-mounted lasers, and many more “weapons” we have yet to unveil). To make these guitars behave as we wanted our tech guy Matt wrote a Max/MSP external that allowed us to easily control Ableton Live. They make the most responsive, velocity sensitive, 6-string, 24-fret MIDI instruments we had seen.
#Midi to artnet converter full
It’s a tech-nerd’s dream an incredible synergy of performance & technology requiring borderline insane problem solving, not to mention inventing some new ways to throw control signals around a venue!Ĭustom MIDI Guitars with LED fretboards, a body full of pads & knobs, and string triggers were being fabricated by Starr Labs in San Diego. With that goal in mind, we began designing the interactive system. To create the real world of these characters, they each needed the ability to perform and react in real time. In an open letter to their fans, Excision explained to the trio’s fans how they’re using new technology to break sonic boundaries.įrom the outset, the goal of Destroid’s live show was to have just that. With costumes influenced by Daft Punk to sci-fi flicks like Alien and Tron, their secret ingredient is a specially designed custom MIDI guitar enabling them to control Ableton Live as they rock out.
#Midi to artnet converter free
On September 1th will be a free version available on the same page.Dubstep supergroup Destroid - Canadian bass artists Excision and Downlink and drummer KJ Sawka from Pendulum - are taking their live show to the next level and beyond. This could be a "just works" or feature wishes for my software. Provide some feedback to this beta software, please.
To show you the possibilities take a look at this video.Ī test version can downloaded here: Bernd Ott's Midi to Art-Net converter
It also can uses with real desks/systems.
#Midi to artnet converter software
You can also use this software with other (lighting) software which understands Art-Net. Of course it is really easy to configure. I'm developing a converter which takes the midi events and converts them to an Art-Net universe. You also need local loop-back software which adds some more midi ports for forwarding the converted events to GMA. You need a tool which translates CC events to notes, because GMA doesn't understand CC's. If someone of have ever tried to use a midi device with GrandMA (onPC) it is a pain.
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